Jahnavi Inniss
About Projects Workshops Exhibitions Press Contact
Black British History Quilt
Project Context
Typeface
Reflecting on the visual codes within the theories of representation and semiotics, I knew it was crucial that the design decisions behind each element of my quilt worked together, for it to be presented in a way that would reflect its significance and its meaning.
Through the use of the MARTIN typeface by the type foundry Vocal Type, I was able to further reiterate the themes of visibility and empowerment of Black people.
Whilst the typeface is directly influenced by the distinguished placard slogan, I Am A Man, this resonates with the contents of my quilt as the theme of visibility within the slogan itself originates from the 18th century slavery abolishment movement, in which a few of the people featured in my quilt were directly involved in.
Whilst the time period in which the people lived in is a fundamental component within the message I’m delivering, I used fabric designs that were visually similar to those that were used in each related period.
See more information about the Martin typeface and explore more on Vocal Type’s Website.
Reflecting on the visual codes within the theories of representation and semiotics, I knew it was crucial that the design decisions behind each element of my quilt worked together, for it to be presented in a way that would reflect its significance and its meaning.
Through the use of the MARTIN typeface by the type foundry Vocal Type, I was able to further reiterate the themes of visibility and empowerment of Black people.
Whilst the typeface is directly influenced by the distinguished placard slogan, I Am A Man, this resonates with the contents of my quilt as the theme of visibility within the slogan itself originates from the 18th century slavery abolishment movement, in which a few of the people featured in my quilt were directly involved in.
Whilst the time period in which the people lived in is a fundamental component within the message I’m delivering, I used fabric designs that were visually similar to those that were used in each related period.
See more information about the Martin typeface and explore more on Vocal Type’s Website.
Next: Further Reading